Thursday, February 9, 2012

Experiences at the Cello Madness Congress NYC Pt.1

2 nights of the last 2 weeks were really special for me. Cello Joe hosted an event known as the Cello Madness Congress in NYC. First in Brooklyn, then in Manhattan.

Basically, the way I describe it to people is: "take all the cellists who do really weird stuff in New York & put them all in a room together for 4 hours" ... and that's basically what it was ... but so much more.

Brooklyn:


The Brooklyn event was held in a loft apartment with a nice open space. I think about 13 cellists showed up & maybe 20-30 people or so to watch us. There were snacks & beer & it was an awesome night. I was the first cellist there (besides Joe) & one by one, people wandered in, we introduced ourselves to each other, chatted it up with the audience, figured out how to arrange the room, etc.

Eventually, we got started & began with a group twist on the C scale. Each person started at a different part of the scale (Root, 3rd or 5th) .. it made for a very cool sound. After that, we did a bit of group improv & the rest of the night, alternated group improvisation games with solo sets. The solo sets were really amazing & eye opening in a lot of ways. It was great to see such a high level of playing, as well as such a variety of different kinds of original music. Here's a glimpse of who did what:

CelloJoe (Joey Chang) - beatboxing cellist
http://CelloJoe.com/

Valerie Kuehne - cross-polinating sundry genres
http://www.myspace.com/valeriekuehne


Cosmo D (Greg He
ffernan) - electro cello techno loop genius
http://cosmod.net/

Michael Lunapeina - the wandering cellist - rock/metal
http://cellomike.com/

Elizabeth Glushko - electronics and looping.
http://www.myspace.com/egcello

Nick Jozwiak - fascinating composer, throat sings while he plays
soundcloud.com/nicholas-jozwiak

Jacob Cohen - melodic improv inspired by hip hop
http://soundcloud.com/jacob-cello


Meaghan Burke - songstress
http://www.reverbnation.com/meaghanburke



There was also a guest appearance by Quetzacoatl via the form of a Giant Puppet & courtesy of http://GiantPuppetsSaveTheWorld.com

I sadly didn't get any video, but here are some pictures (Taken by Sean Hagerty)...

Stay tuned for part 2!

Wednesday, January 18, 2012

How to Fit Myself Into A Box

I hate the Bio/Resume that I have right now ... I feel like it doesn't represent me/the me I want to be... but I also don't know how to write Me ... I'm messy and confusing... and I don't really fit into the traditional or non-traditional box...

I/I'm:
Classically Trained (but much less than classical people)
Play in Community Orchestras (but not a lot)
Have done a crapton of musical theatre
Improvise & write music like a songwriter
Play in the Subways
Play in as many as 4 or 5 rock bands that are somewhat successful that most people have never heard of & are not a part of any mainstream music genres
Have little to no interest in being more "in the box" or going to grad school or taking lessons, because I want to make my own path creating music that I really love that is deeply meaningful to me.
Play a live set that involves half covers & half original music
Do everything from playing weddings to pits to religious services to rock bands to (very occasional) classical gigs to recording sessions
I started cello at age 16 (but does that matter?)
I write cool music in GarageBand on keyboard & sort of just have no clue what to do with it...

I guess really what I'm torn between is I want to represent myself as the Cellist/Songwriter, but most of my work is in the teaching & freelance musician world & I feel like it's talking to two different sets of people with completely different interests ... It's another stupid tug of war inside...

This post has given me some ideas...

Edit: I've now got a different bio up .. I don't think it's done yet ... I realized part of the problem is that I'm trying to serve 2 different masters with this bio ... I need a Me bio & a teaching bio & a resume ... 1 down, 2 to go...

Monday, January 9, 2012

Playing at the Bean Runner Cafe

Last night I played for the 12th Artist Appreciation Show at Bean Runner Cafe. It was a really cool experience!!

I live in Brooklyn/NYC & absolutely love it! Because of that, one of my favorite things is getting out of NYC. No matter where I've gone, every time I get out of NYC, people seem a bit happier & more wholesome, less stressed and jaded. It's really encouraging.

Peekskill was no exception. What a charming little town (at least the part I got to explore was). Everyone's friendly & there's lots of book stores & cafes & antique stores & all in a small area. My favorite part of it was exploring Bruised Apple Books - a very awesome used books store! I picked up a copy of The Complete Works of Nathaniel Hawthorne & of "Gig" - a book with firsthand accounts of jobs across the entire spectrum of America.




Anyway, on to Bean Runner ... Bean Runner is a nice cafe ... a little fancy, but not in an off-putting way (just in an everything looks pleasing sort of way) with nice staff. I had the pleasure of performing to a full Cafe of people who were there for & actively paying attention to the music. I also had the pleasure of playing with other artists who were original & whose art was very awesome in their own way.

In NYC this sort of thing doesn't happen a lot ... music almost always feels like a secondary focus, even when people come to shows ... there is little sense of community, or artists supporting each other, of people sticking around for other bands' sets because they actively are pleased to do so. I think it's a result of oversaturation & stressful, busy lives.

Whatever it is, it's always beautiful to get away from that.

For me the most beautiful moment was unexpectedly joining motivational spoken word artist Christ Is during his set. Playing the melody from Tool's Parabol, along with my own "beats" behind his spoken art that dealt with some of the grittier, harder aspects of life while still being uplifting was really truly inspirational & powerful.

It's amazing what happens when you put two things together that you wouldn't normally expect to go together. Words & Music compliment each other in a really deep way.

Sunday, August 28, 2011

An Update From the Studio

So I've been in the studio for a little over a week now ... Finished tracking for 6 and a half songs & eaten way too much pizza.

I'd orignally been intending to do some more updating, include some cool photos & vid. & all that, but honestly, I've had my hands completely full with trying to record everything as quickly and thoroughly as possible.

We lost our first day to technical issues, which was a real drag & I've had a few days where I've had to go back into NYC for gigs (including for the Steampunk Anachronism, which was tremendous fun & awesome), but otherwise, I've basically been recording from wake to sleep most days.

There have been some fun moments, some tense moments, some stupid moments (lots of stupid moments) & lots of exhausted moments ... I've learned about how I can better prepare for next time I go in the studio (the obvious way is learning all parts before hand, but also having a map/notes of how many times things repeat, where they line up w/ each other, etc, helps too).

I've had periods where I've been flying solo, but mostly Sean Harty has been engineering this ... it's a tremendous help having an engineer ... it's just too much to manage recording & engineering (not to mention, having someone with an instantaneous knowledge of mics & setup & all that is tremendously helpful) ... I've learned a bit more on the engineering side from doing this.

I've encountered lots of weird things like loops not quite lining up, like having to put my cello out of tune to make open strings work with a pre-recorded part, like there are certain 1/4 inch cables you don't put into a DI...

Mid-way through recording, we discovered that Sean actually had the original Garage Band files from when I wrote the album (which I lost due to partial Hard Drive failure) ... that has been both exciting and tremendously helpful ... moral of the story - always back things up ...

Anyway, so that's where I'm at ... really looking forward to getting to editing & mixing (and not working against a clock)

It's probably gonna be a bit before I write again ...

Thursday, July 7, 2011

Humility

I mentioned in my last post that there had been some success in addition to the failures ... perhaps the most significant effect of that success has been finding a new sense of Humility.

I need to clarify, I DO NOT MEAN SELF-DEPRECATION or any other similar destructive thinking.

I just mean that I've got a better sense of where I fit ... I've met/befriended/been complimented by people who are better than me, who I admire... I've met cellists my age or younger who are better ... I've met cellists who are worse. I've had some more success as a performer & like everything else in life, the more you learn, the more you realize how little you know.

That humility is enabling me to grow (as a person and as a cellist). I've also gained self-confidence to go along with it & some level of security that I didn't have before.

It's cool :)

Failure & Success

It's been about 5 months since I moved to New York City ... I've had some serious failures, but also some cool successes ... if that's not bloody confusing, I don't know what is... Having a series of successes, and then failing at something can be a tremendous confidence-blow ...

The biggest failure has been my inability to financially support myself in a secure way. Every month, I've been barely paying my bills & every month, the margin has gotten smaller and smaller. Some of this could have been solved by more frugality or better planning, but honestly that seems like a short-sighted/growth-deterring solution.

Honestly, the solution is having a higher income. For a long time (despite the advice of a cellist-friend who I have immense respect for), I thought busking could be the solution to that. It seemed like a nice way to balance things - flexible, only required a few hours a day, involved getting to talk to people & get my music "out there" and network/get gig offers ... but there's been less and less of all of that lately, and the money is just not there. Despite my stubbornness and determination, I finally have to accept that this isn't the way I get to write my ticket to a better life. It's not going to get me there. On the other hand, it's immensely improved my playing & performing abilities & helped me develop some of my acoustic repertoire. I even managed to get into MUNY - an accomplishment for sure (I get to book my first performance through them very soon & am definitely looking forward to it!).

So busking has failed in that regard ... I've also failed at generating enough performance gigs to really provide good income. I've had some success doing solo or chamber performances at coffee houses or stuff like that (but I also had one absolutely terrible depressing & hurtful experience too). But I've stalled on where else I can start to play at or how to build up more of those. Also, my following is only so big .. I can only bug people to come see me play so often ... I guess in a way, I'm a little afraid from trying out a place cold, because of my failure at the previously mentioned gig ...

I've barely been able to get into the classical world of gigging at all ... it's sorta been like the really attractive & intelligent and amazing girl/guy that you see everyday from a distance and really wish you could get to know, but have no way of doing so ... the truth is though, I think deep inside, I've never really wanted to be a part of the classical world. I feel part of that is because I never felt invited & often, when around classical people I didn't really feel like I clicked with them ... I felt like they were very uptight or very narrow-minded & I just felt like I wasn't in that box (now to be fair, I've met & even been friends with some really awesome classical people) ... I also felt like I was at the bottom of the totem pole so to speak & I'm sure some of that has to do with my being a lesser cello player than most of the other people doing it professionally & some of it has to do with me going to a less connected, less prestigious school than most of the other people doing it professionally (and there may even be other factors I'm not aware of). For a while I thought going to a prestigious grad school and studying with an amazing cello teacher there would be the solution (and I think in some alternate universe, there must be a Mike who started cello at age 8 or something and became a really amazing cellist & went to a really famous school, etc, etc)... In this universe, I realized that I want to build a career based off of creating and performing my own original music in the rock/heavy metal vein? Can we say cool????!!! Can we also say Crappy Way to Pay the Bills?? Anyway, whatever the reasons, I've generated a small amount of performance work for myself & I'm really grateful for it & for everyone who's worked with me or told me they admired my playing or asked me back or whatever ... but still, it's small ...

I knew it was going to be fucking hard when I made the decision to be a professional musician (and kept re-making that decision) ... hell, hard was mostly what I knew, so it didn't really seem like a big deal ... just more of the same ... I knew that I'd have to build my own career ... I've even read up on how to do this ... but honestly, I've failed so far at it ... I am a good cellist, I am a good teacher, I'm not a good freelancer/business person. I don't have that skill set ... the inroads I've made have been just from general enthusiasm & sharing and persistence ... I feel because I have that, in the long-term I'll be successful, but in the short term it's not working ...

Another area I've failed hardcore in is building up a private student base. I didn't realize when I started teaching that I just really didn't have a good setup to do it. My first teaching experience was through an In-Home Lessons company (that later turned out to be sketchy and got investigated by the FBI) & some students I found through craigslist. In the time since then, I've never had more than 5 or 6 students at a time. I couldn't really teach out of home ... home was just hell in a lot of ways (and I mean that more than emotionally) and it was just a really unsuitable teaching space. I didn't have an internet connection that could handle doing skype lessons & I didn't live in the right area of westchester where driving for lessons made sense. So then I got a job at a music school 10 minutes away from where I lived - exciting, but not many students just yet ... definitely seemed hopeful. Unexpectedly, I had to move from home & even more unexpectedly (after having given up the dream of doing this for the time being), I ended up moving to New York City. All of a sudden this music school was really far away ... I stuck out the year, but decided to quit after that, because the money for the time just didn't make sense. In retrospect, I should have reached out to the local school teachers & tried to recruit students. I gained a lot of confidence as a teacher from the last year of teaching (at that music school and otherwise), which is something I didn't have. But still, I have not developed studio-building skills ...

There''s been a lot of successes over the last 5 months too (and the fact that I've even managed to keep paying my bills doing this is one of them) ... but right now I need to focus on the failures and bringing myself to the next level before things really get out of control. I've come to terms with the fact that right now I can not support myself just on a musical income. What must be balanced with that though is that music is still the most important thing in my life & I need the time to continue to develop my skills & to perform. I need the flexibility to be able to do local gigs, to go away to weekend gigs/events & network & hopefully at some point, tour.

I think temping is going to be the avenue ... temping and some small goal setting so that I keep building the career things that are going on for me, so maybe in another year or two I can actually have an income just based on music ...

I think one thing I have to learn to control is my amount of leisure time ... I've taken some very generous amounts right now (and sometimes I'll use that for networking, etc.) & that's been very important/useful to me in a lot of ways, but I think I have to learn that being an adult means that sometimes I just need to work more & be happy less, so at the end of the day, the ship is still floating.

This is where I am right now ... I know that where I am right now is worlds better than where I was 5 months ago ... I'm a fool, but a brave one ... I've had so many things to knock my confidence down & point me to pick something more sensible to do with my life ... but I love doing music too much ... I love reaching deep into someone's soul/psyche/whatever and causing them to smile or bob their head or move a bit or stare and watch in awe ... I love sharing with them, I love the feeling I get, I love the feedback they give ... I will make this work

But first, I will get some financial security, because this ship can't run on empty...

Thursday, May 26, 2011

Ghosts of Greyhame - The Journey Has Just Begun

Yesterday Morning, Ghosts of Greyhame reached full funding!

Needless to say, this is one of the most exciting things that has ever happened to me in my life!

The support I got from friends, family, fans & people I met over the internet is absolutely incredible.

Recording is tentatively set to begin on June 1st & there's a ton of work to do between now and then.

I learned a lot about creating an album & making it a reality from this & I'm sure I've got a ton more to learn about recording over the next few months.

I have recently started re-reading The Lord of the Rings (something I used to do every year). I have reached the point where Frodo & company have finished the journey to Rivendell, sat through the council of Elrond & are now about to begin the true journey to Mordor to destroy the ring.

I feel that I am largely in the same place (though my journey is a much happier one) ... I feel like everything I've done until now in my life has only been leading up to the true journey ...

I'm so honored & excited to share it with all of you!