I realized something important today ... all of the folks who inspire me musically have the following characteristics:
1. Music is the most important thing in their life
2. Multi-Instrumentalists (or instrument + vox)
3. Extremely driven (creatively or technically)
The main part of the above, that's important, is the multi-instrumental part ... for the last few years, I've always wondered how to describe myself ... I compose, I play cello, keys, guitar & I sing ... so I realized the best way to describe myself is as a multi-instrumentalist who's main instrument is cello.
I really get just as excited and into all the other instruments that I do, and I plan to develop my skills on all of them - for their own sake and because of the synergistic technical effects, as well as the increased musical understanding.
I'd really love to learn some classical piano/guitar once I'm out of school ...
anyway, I should go to sleep now...
Sunday, March 15, 2009
Saturday, March 14, 2009
A Change of Program & The Future
Alright, so first off, I've modified my recital program (It's 2 weeks away!)
I've switched out the Schelomo for the Elgar, b/c it's a little bit above both mine & my pianist's head at the moment (and maybe I'd be able to get it done in the next 2 wks, if I tore my hair out, but I couldn't do an amazing job, and I don't want that). I'm still going to be working on it though, because it's really pushed my technique in the last couple of days ...
Now as for the future ... here's my plans for the moment (once school's over)
1. Driving taxis to make money
2. Finding more students & gigs
3. Putting together or joining a rock band (I think I'd rather put one together) & pursuing that professionally
4. Practicing like a devil & playing guitar/keyboard & singing too
I really, truly want to be in a rock band professionally ... it's not the first time I've had this feeling, and I always come back to it ... I really think it's what I'm meant to do ... it's the thing that inspires me the most, it's the music I love, and I really think it's what I need to be putting all of my energy into
And if it doesn't work out professionally, at least it will be fun.
So because that's my goal I need to think about what role things like classical music and taking lessons are going to have in my life. What I've decided is this: they're still going to be there, because I enjoy them & learn a lot from doing them, but they *are not* going to be the forefront of what I'm doing. I really need to focus on writing my own music & learning to play the music that really inspires me & doing completely new, expansive things with cello ... I need to be in the rock world, and that's what I'm going to do ... classical's gonna be my nice little thing I study on the side.
As far as gigs go, I'll obviously do whatever I can get my hands on ... I really want to get my chops up to a point where I can consistently do studio work ... the other thing I'd really like to do is pit work (which I already do a good amount of) ... I really love doing these things.
So that's where I am at the moment. I also really need to concentrate on always increasing my rate of progression ... I'm so dying to get out of school...
Edit:
My classical plans involve learning the rest of the Haydn C really well, and then after that learning the rest of the Elgar really well ... from there, I'll see where I want to go ... but those two are going to take a while.
I'm not doing Summit this summer, but that's more for financial reasons ... I really want to see where I am at the end of summer ... hopefully somewhere good and amazing..
Thanks to everyone who's read this/supported me in the past. Especially, thanks to Emily Wright for all your encouragement & advice.
I've switched out the Schelomo for the Elgar, b/c it's a little bit above both mine & my pianist's head at the moment (and maybe I'd be able to get it done in the next 2 wks, if I tore my hair out, but I couldn't do an amazing job, and I don't want that). I'm still going to be working on it though, because it's really pushed my technique in the last couple of days ...
Now as for the future ... here's my plans for the moment (once school's over)
1. Driving taxis to make money
2. Finding more students & gigs
3. Putting together or joining a rock band (I think I'd rather put one together) & pursuing that professionally
4. Practicing like a devil & playing guitar/keyboard & singing too
I really, truly want to be in a rock band professionally ... it's not the first time I've had this feeling, and I always come back to it ... I really think it's what I'm meant to do ... it's the thing that inspires me the most, it's the music I love, and I really think it's what I need to be putting all of my energy into
And if it doesn't work out professionally, at least it will be fun.
So because that's my goal I need to think about what role things like classical music and taking lessons are going to have in my life. What I've decided is this: they're still going to be there, because I enjoy them & learn a lot from doing them, but they *are not* going to be the forefront of what I'm doing. I really need to focus on writing my own music & learning to play the music that really inspires me & doing completely new, expansive things with cello ... I need to be in the rock world, and that's what I'm going to do ... classical's gonna be my nice little thing I study on the side.
As far as gigs go, I'll obviously do whatever I can get my hands on ... I really want to get my chops up to a point where I can consistently do studio work ... the other thing I'd really like to do is pit work (which I already do a good amount of) ... I really love doing these things.
So that's where I am at the moment. I also really need to concentrate on always increasing my rate of progression ... I'm so dying to get out of school...
Edit:
My classical plans involve learning the rest of the Haydn C really well, and then after that learning the rest of the Elgar really well ... from there, I'll see where I want to go ... but those two are going to take a while.
I'm not doing Summit this summer, but that's more for financial reasons ... I really want to see where I am at the end of summer ... hopefully somewhere good and amazing..
Thanks to everyone who's read this/supported me in the past. Especially, thanks to Emily Wright for all your encouragement & advice.
Saturday, February 14, 2009
Fuck!!
I haven't updated in a really long time for all sorts of reasons ... but basically being busy ...
Anyway. Had the concerto competition earlier ... I lost it (2 contestants, I came in 2nd) ... I was playing the Elgar Concerto (1st mov.) ... something I've been working on for almost a year and a half ... later I was talking with somebody, and basically the following came out: "I hate when I don't reach my full potential in anything ... and in 4 years here, I haven't really ever reached my full potential ... I don't have enough time to practice, and it's a cyclical thing" ...
It's really frustrating & really true ... I'm still not where I should be & that piece wasn't up to the basic level (it was close though) ... I'm still not making mind-blowing progress like I used to & I still don't have real callouses like I used to ... So I've got to change for good. I'm promising myself that on all weekends, I'm going to practice 3 hours every day ... every other day, I've got to practice 2, and wednesday will be my day off (b/c I have orchestra that day anyway, and it's just impossible to practice w/out waking up at about 6:00 AM ... but I need to do more if I'm ever going to make it or amount to anything on cello ...
The End.
PS. I don't mean to say I'm sore about the results of the competition ... I'm not ... I'm just pissed at myself for not being better and not being the best I can yet again... the other person in the competition did a great, amazing job w/ some really awesome pieces (Grieg Piano Concerto & Slow movement from the Pathetique ... can't go wrong w/ that shit!!) ... she deserves it & I'm sure it's gonna be an amazing performance!
Anyway. Had the concerto competition earlier ... I lost it (2 contestants, I came in 2nd) ... I was playing the Elgar Concerto (1st mov.) ... something I've been working on for almost a year and a half ... later I was talking with somebody, and basically the following came out: "I hate when I don't reach my full potential in anything ... and in 4 years here, I haven't really ever reached my full potential ... I don't have enough time to practice, and it's a cyclical thing" ...
It's really frustrating & really true ... I'm still not where I should be & that piece wasn't up to the basic level (it was close though) ... I'm still not making mind-blowing progress like I used to & I still don't have real callouses like I used to ... So I've got to change for good. I'm promising myself that on all weekends, I'm going to practice 3 hours every day ... every other day, I've got to practice 2, and wednesday will be my day off (b/c I have orchestra that day anyway, and it's just impossible to practice w/out waking up at about 6:00 AM ... but I need to do more if I'm ever going to make it or amount to anything on cello ...
The End.
PS. I don't mean to say I'm sore about the results of the competition ... I'm not ... I'm just pissed at myself for not being better and not being the best I can yet again... the other person in the competition did a great, amazing job w/ some really awesome pieces (Grieg Piano Concerto & Slow movement from the Pathetique ... can't go wrong w/ that shit!!) ... she deserves it & I'm sure it's gonna be an amazing performance!
Monday, November 3, 2008
Recent Musical Life
I haven't posted to this blog, or to my Livejournal in forever. In fact, I should be doing my Italian Homework right now ... but this is more interesting ...
Musical Life has been going very well ... To summarize, I'm doing the following:
Ensembles:
Mville MIDI Band
Mville Chorus
St. Thomas Orchestra
Mville Orchestra
Mville Small Jazz Ensemble
I'm also working on:
Bach Suite 4
Schelomo
Beethoven Clarinet Trio
Bacchianas Brasilieras
Elgar Concerto (1st Movement)
Vivaldi Double Concerto
I'm also currently playing in Into the Woods. So my musical plate is quite full! (as it should be!) & I'm beginning to feel like a cellist again (which comes w/ lots of practicing ... 59 hours for the month of October - shooting for *at least* 90 this month).
Most important to recent times though: I'm in a band. We're called the Faceless Quartet. We've had about 6 or 7 rehearsals, and every rehearsals it was just consistently me & this other kid showing up (and other people not showing!) ... on our most recent rehearsal, we brought in this kid on sax/flute & there was some chemistry there for sure ... we started jamming & stuff really came together quite amazingly. It was so unexpected & so much what being in a band should feel like ... I think we've really got something ahead of us & am quite excited to see what we can do... He's the first person I've met in a very long time who's made me want to really practice.
So that's where I'm at right now...
--------------
Some things I've wanted to blog about over the last month:
1. Nacht Mystium/High On Fire/Opeth Concert - quite an awesome concert ... Nacht Mystium was interesting, though they had EQ problems. Their drummer was pretty crazy in the sense that he was playing pretty complicated stuff, but looked very relaxed/in the zone ... it's pretty rare to see a band where the drummer really stands above the rest so much. High On Fire is actually probably the worst band I've seen or heard live (and I don't mean that facetiously!). Their music was incredibly unoriginal, and almost never went beyond power chords and/or barred 4ths w/ a very occasional blues pattern ... absolutely not recommended! Opeth was quite amazing. They played a good variety of songs, and I recognized some of their newer stuff this time around, as well as their older stuff ... it's hard to remember specifically what they played. I also hung out w/ my friend Rebecca through most of this, it was quite cool.
2. Schelomo & Bach 4 have been going fairly well ... I finally feel a little more like I'm working on an advanced level in my playing and in my lessons. I wish I had gotten here sooner, but am very glad to be here. I feel like I could be moving a little bit faster w/ both, but I need to find more practice time in order to do so ... a bit challenging with all these school responsibilities.
3. I apparently wanted to blog about practicing ... probably that I'm practicing a lot better than I have .. I've got things pretty routine & am switching back & forth between a Galamian exercise, a chord exercise I invented, Thumb Position exercises & other exercises I come up with. I wish I had more time for it! Keeping a practice log is incredibly helpful
4. I also saw Apocalyptica (it really has been an incredibly long time since I've blogged!). They were pretty good/fun/interesting to see. I feel they could get louder earlier in their set, and I also feel that they could benefit from more tonal variety in their music. I also feel they could push the crowd more. Despite this, I still think they're quite good (especially to play all that they play standing up!)
5. I also saw Nightwish ... or well, I saw Sonata Arctica for free ... Nightwish cancelled due to singer sickness :( (Though I just found out they're coming back in May - can't wait!!). Sonata was very interesting ... I'm not sure I liked their music, but their performance was quite amazing ... they're something about older bands ... they've got something a lot of newer bands don't...
6. One thing that came up during lessons (in relation to bowing) is to imagine that there's a line between my elbow & 1st finger & to always be aware of that. There in fact is at least 1 line between my elbow and each of my fingers - they are called tendons ... it was very helpful to think of that connection!
7. I've started practicing scales for tone and playing as loudly as I can (without really forcing) again ... quite helpful.
8. We had our first cello class at Manhattanville a few weeks ago ... it was on positions. I'll try and upload things when I get a chance - it was so cool, even though there were only 2 of us! Our next one is going to involve mapping bow motion through reflective gloves in a dark room - quite exciting.
9. The Bacchianas Brasilieras is quite cool - I'm playing the 2nd part (my teacher is playing the first ... um, that's exciting) ... it's doing quite a number on my fingers (16th note tenor register pizzicato!! yikes) ... it's a good piece to work on my weak spots & we're going to put it on most likely some time next semester
10. I got to hang w/ Danny Gray recently for the first time since the summer - it was awesome & fun ... we did a gig & jammed & talked about music & stuff ... the jamming went well ... I think a lot better than previously ... I don't feel so far below him anymore (which is not to say that I'm quite on the same level either ... there's just not so much of a gap) ... the jazz education is really helping there...
11. One last thing ... the Beethoven Clarinet Trio - we had a very good performance of it at the informal recital - as in it was the best performance we had done, as well as the best performance on the recital ... we really performed it on an advanced level ... one person even commented that she forgot we were students ... quite exhilarating ... that was just the first movement ... lots of work to do on the 3rd ... haven't even gotten to the 2nd yet!
Some exercises I've come up with:
1. LH 16th exercise - this involves maintaining a single hand position & slurring bows (or not slurring) & doing different patterns in 16ths - it's great for building dexterity/finger strength ... particularly when done in double stops!!
2. Do Technical work with music blasting ... this forces you to play with a certain strength/tone - something I really haven't done in a long time... I also have a somewhat quiet cello (not up close)
That's all for now! I need to do my italian homework so that I'll have some practice time tomorrow ... so sick of these non-music classes right now! Though I guess they also help stop me from being a robot...
Musical Life has been going very well ... To summarize, I'm doing the following:
Ensembles:
Mville MIDI Band
Mville Chorus
St. Thomas Orchestra
Mville Orchestra
Mville Small Jazz Ensemble
I'm also working on:
Bach Suite 4
Schelomo
Beethoven Clarinet Trio
Bacchianas Brasilieras
Elgar Concerto (1st Movement)
Vivaldi Double Concerto
I'm also currently playing in Into the Woods. So my musical plate is quite full! (as it should be!) & I'm beginning to feel like a cellist again (which comes w/ lots of practicing ... 59 hours for the month of October - shooting for *at least* 90 this month).
Most important to recent times though: I'm in a band. We're called the Faceless Quartet. We've had about 6 or 7 rehearsals, and every rehearsals it was just consistently me & this other kid showing up (and other people not showing!) ... on our most recent rehearsal, we brought in this kid on sax/flute & there was some chemistry there for sure ... we started jamming & stuff really came together quite amazingly. It was so unexpected & so much what being in a band should feel like ... I think we've really got something ahead of us & am quite excited to see what we can do... He's the first person I've met in a very long time who's made me want to really practice.
So that's where I'm at right now...
--------------
Some things I've wanted to blog about over the last month:
1. Nacht Mystium/High On Fire/Opeth Concert - quite an awesome concert ... Nacht Mystium was interesting, though they had EQ problems. Their drummer was pretty crazy in the sense that he was playing pretty complicated stuff, but looked very relaxed/in the zone ... it's pretty rare to see a band where the drummer really stands above the rest so much. High On Fire is actually probably the worst band I've seen or heard live (and I don't mean that facetiously!). Their music was incredibly unoriginal, and almost never went beyond power chords and/or barred 4ths w/ a very occasional blues pattern ... absolutely not recommended! Opeth was quite amazing. They played a good variety of songs, and I recognized some of their newer stuff this time around, as well as their older stuff ... it's hard to remember specifically what they played. I also hung out w/ my friend Rebecca through most of this, it was quite cool.
2. Schelomo & Bach 4 have been going fairly well ... I finally feel a little more like I'm working on an advanced level in my playing and in my lessons. I wish I had gotten here sooner, but am very glad to be here. I feel like I could be moving a little bit faster w/ both, but I need to find more practice time in order to do so ... a bit challenging with all these school responsibilities.
3. I apparently wanted to blog about practicing ... probably that I'm practicing a lot better than I have .. I've got things pretty routine & am switching back & forth between a Galamian exercise, a chord exercise I invented, Thumb Position exercises & other exercises I come up with. I wish I had more time for it! Keeping a practice log is incredibly helpful
4. I also saw Apocalyptica (it really has been an incredibly long time since I've blogged!). They were pretty good/fun/interesting to see. I feel they could get louder earlier in their set, and I also feel that they could benefit from more tonal variety in their music. I also feel they could push the crowd more. Despite this, I still think they're quite good (especially to play all that they play standing up!)
5. I also saw Nightwish ... or well, I saw Sonata Arctica for free ... Nightwish cancelled due to singer sickness :( (Though I just found out they're coming back in May - can't wait!!). Sonata was very interesting ... I'm not sure I liked their music, but their performance was quite amazing ... they're something about older bands ... they've got something a lot of newer bands don't...
6. One thing that came up during lessons (in relation to bowing) is to imagine that there's a line between my elbow & 1st finger & to always be aware of that. There in fact is at least 1 line between my elbow and each of my fingers - they are called tendons ... it was very helpful to think of that connection!
7. I've started practicing scales for tone and playing as loudly as I can (without really forcing) again ... quite helpful.
8. We had our first cello class at Manhattanville a few weeks ago ... it was on positions. I'll try and upload things when I get a chance - it was so cool, even though there were only 2 of us! Our next one is going to involve mapping bow motion through reflective gloves in a dark room - quite exciting.
9. The Bacchianas Brasilieras is quite cool - I'm playing the 2nd part (my teacher is playing the first ... um, that's exciting) ... it's doing quite a number on my fingers (16th note tenor register pizzicato!! yikes) ... it's a good piece to work on my weak spots & we're going to put it on most likely some time next semester
10. I got to hang w/ Danny Gray recently for the first time since the summer - it was awesome & fun ... we did a gig & jammed & talked about music & stuff ... the jamming went well ... I think a lot better than previously ... I don't feel so far below him anymore (which is not to say that I'm quite on the same level either ... there's just not so much of a gap) ... the jazz education is really helping there...
11. One last thing ... the Beethoven Clarinet Trio - we had a very good performance of it at the informal recital - as in it was the best performance we had done, as well as the best performance on the recital ... we really performed it on an advanced level ... one person even commented that she forgot we were students ... quite exhilarating ... that was just the first movement ... lots of work to do on the 3rd ... haven't even gotten to the 2nd yet!
Some exercises I've come up with:
1. LH 16th exercise - this involves maintaining a single hand position & slurring bows (or not slurring) & doing different patterns in 16ths - it's great for building dexterity/finger strength ... particularly when done in double stops!!
2. Do Technical work with music blasting ... this forces you to play with a certain strength/tone - something I really haven't done in a long time... I also have a somewhat quiet cello (not up close)
That's all for now! I need to do my italian homework so that I'll have some practice time tomorrow ... so sick of these non-music classes right now! Though I guess they also help stop me from being a robot...
Wednesday, September 3, 2008
The Day That Never Comes
4 important musical things lately:
1. Cello Lesson #1
2. Recording Session in Brooklyn
3. Arranging String Parts for Nothing Else Matters
4. Death Magnetic!!
1. Our first cello lesson for the year was amazing (no playing), but just in terms of talking & getting on the same page & holding up to a higher standard, all is well ... I've got a lot of really cool pieces that I'm gonna be potentially doing ... including the 4th Bach Suite ... so stay tuned for some insanity
2. I did some cello tracks for this guy: http://www.myspace.com/tristame ... went pretty well & he writes some really cool music ... sorta like a more ambient/mellowed-out version of Opeth ... I wish I had been practicing more/in better shape, but I'll just have to practice more from now on to prevent stuff like that ... still went well though - got a nice sound out of my cello, and the Producer/Engineer asked me for my card (speaking of which, I need to get more from home!)
3. I just arranged a cello and violin part for Nothing Else Matters (because we're doing it in MIDI Band) ... I'm also gonna see if I can sing it ... hopefully he'll let me ... was a great experience, and I need to do more arrangement - I might just arrange other tunes for fun ... It should have been more straightforward than it was, considering how much I listen to S&M/Michael Kamen's version ... really gave me a new-found appreciation for it & it's something I'm gonna do more of ...
4. DEATH MAGNETIC LEAKED!!! Now, everyone's got their own set of ethics about stuff like this ... mine's basically that I grabbed it & couldn't wait to hear it ... I will be buying the cd on the 12th, so I don't see a problem with this ... it's very interesting/exciting/progressive & like every other Metallica album has a truly unique & individual sound ... I'm gonna listen to it a couple more hundred times ...
Gonna do a post soon about all the different musical activities I'm involved in this year (I'm really at the max - in a good way ... might drop chorus or something though...)
1. Cello Lesson #1
2. Recording Session in Brooklyn
3. Arranging String Parts for Nothing Else Matters
4. Death Magnetic!!
1. Our first cello lesson for the year was amazing (no playing), but just in terms of talking & getting on the same page & holding up to a higher standard, all is well ... I've got a lot of really cool pieces that I'm gonna be potentially doing ... including the 4th Bach Suite ... so stay tuned for some insanity
2. I did some cello tracks for this guy: http://www.myspace.com/tristame ... went pretty well & he writes some really cool music ... sorta like a more ambient/mellowed-out version of Opeth ... I wish I had been practicing more/in better shape, but I'll just have to practice more from now on to prevent stuff like that ... still went well though - got a nice sound out of my cello, and the Producer/Engineer asked me for my card (speaking of which, I need to get more from home!)
3. I just arranged a cello and violin part for Nothing Else Matters (because we're doing it in MIDI Band) ... I'm also gonna see if I can sing it ... hopefully he'll let me ... was a great experience, and I need to do more arrangement - I might just arrange other tunes for fun ... It should have been more straightforward than it was, considering how much I listen to S&M/Michael Kamen's version ... really gave me a new-found appreciation for it & it's something I'm gonna do more of ...
4. DEATH MAGNETIC LEAKED!!! Now, everyone's got their own set of ethics about stuff like this ... mine's basically that I grabbed it & couldn't wait to hear it ... I will be buying the cd on the 12th, so I don't see a problem with this ... it's very interesting/exciting/progressive & like every other Metallica album has a truly unique & individual sound ... I'm gonna listen to it a couple more hundred times ...
Gonna do a post soon about all the different musical activities I'm involved in this year (I'm really at the max - in a good way ... might drop chorus or something though...)
Friday, August 22, 2008
Warming Up
So everyone always says that you need to warm up before you play and all this stuff, and most people seem to suggest that scales and other exercises are the way to go ... I think that's ignorant, and a bad idea ...
Warming up is getting the blood flowing through the body, stretching out & loosening up the tendons, and raising your level of focus to the appropriate level
So far I've come up with the following warmups that I find very effective:
1. Stretching (particulary the touch the floor w/ your fingertips stretch)
2. Double stop Glissandi - go as slowly as you can (without interrupting the flow) all the way down & up the fingerboard w/ 1/2 2/3 & 3/4 ... maybe even other combinations ... apply the same concept to the bow, but change bow as needed ... this gets your lower back rotating & opens up a lot of the larger muscle groups in your back, which consequently leads your arms to have an easier time (after all, they are connected to your upper & lower back, and there should be a flow of power from one to the other)
3. Pick a chord any chord - pick a chord shape on the finger board w/ your left hand & hold it ... go through each string crossing in different rhythms/combinations of slurs ... eventually you want to cross all 4 strings in one bow - this loosens up your right shoulder a lot ... hanging on to the chord w/ your left hand should force you to relax it after a bit & let it hang into the fingerboard
4. 1 finger scales - Do it on the C string, b/c this is the thickets, and will build up your callouses the most (maybe even do it in double stops) ... hold each note for 4 beats & gliss. into each next new note ... whole bow per note ... this eventually reinforces proper shifting and it loosens you up (I find)
If anyone's got comments or further ideas on this, let me know ...
btw, for those of you who followed what I wrote during Summit & left comments, thx! Glad to know that my posts were of interest ...
Also, in new news, I have another student, and may have a 5th soon (really exciting!)
School starts in 2 days, and I have a recording to do the monday after it starts (lots of very good reason to practice a lot!)
So many things to look forward to...
Warming up is getting the blood flowing through the body, stretching out & loosening up the tendons, and raising your level of focus to the appropriate level
So far I've come up with the following warmups that I find very effective:
1. Stretching (particulary the touch the floor w/ your fingertips stretch)
2. Double stop Glissandi - go as slowly as you can (without interrupting the flow) all the way down & up the fingerboard w/ 1/2 2/3 & 3/4 ... maybe even other combinations ... apply the same concept to the bow, but change bow as needed ... this gets your lower back rotating & opens up a lot of the larger muscle groups in your back, which consequently leads your arms to have an easier time (after all, they are connected to your upper & lower back, and there should be a flow of power from one to the other)
3. Pick a chord any chord - pick a chord shape on the finger board w/ your left hand & hold it ... go through each string crossing in different rhythms/combinations of slurs ... eventually you want to cross all 4 strings in one bow - this loosens up your right shoulder a lot ... hanging on to the chord w/ your left hand should force you to relax it after a bit & let it hang into the fingerboard
4. 1 finger scales - Do it on the C string, b/c this is the thickets, and will build up your callouses the most (maybe even do it in double stops) ... hold each note for 4 beats & gliss. into each next new note ... whole bow per note ... this eventually reinforces proper shifting and it loosens you up (I find)
If anyone's got comments or further ideas on this, let me know ...
btw, for those of you who followed what I wrote during Summit & left comments, thx! Glad to know that my posts were of interest ...
Also, in new news, I have another student, and may have a 5th soon (really exciting!)
School starts in 2 days, and I have a recording to do the monday after it starts (lots of very good reason to practice a lot!)
So many things to look forward to...
Wednesday, August 20, 2008
The Right Feel
So,
I've been battling w/ this Elgar melody & trying to figure out what wasn't making it work/what makes it work ...
I learned a few things:
1. Vibrato varies a bit
2. Rhythm - I wasn't always holding the quarter long enough
3. Tempo - After Rosen's masterclass, I've been trying to do it at 66 ... I'm sorry, it just doesn't work there... back to 50 ... that's what DuPre does ... and more importantly, that's where it feels (and sounds) right to me
4. The bow has to always be moving & the phrase is actually in 9/8, meaning the bow
I've also been watching DuPre's video very closely, and it's incredibly exciting/surprising to see a lot of the technical things she does (fingering and bow choices)
My goal is to copy and ingrain as much of it as I can (not for the sake of just copying her, but for the sake of truly understanding it and what made her performance so amazing & using that as a foundation & springboard for mine - it's sort of like using a certain performance edition, except that you can see what the editor actually meant/did ...
I've been battling w/ this Elgar melody & trying to figure out what wasn't making it work/what makes it work ...
I learned a few things:
1. Vibrato varies a bit
2. Rhythm - I wasn't always holding the quarter long enough
3. Tempo - After Rosen's masterclass, I've been trying to do it at 66 ... I'm sorry, it just doesn't work there... back to 50 ... that's what DuPre does ... and more importantly, that's where it feels (and sounds) right to me
4. The bow has to always be moving & the phrase is actually in 9/8, meaning the bow
I've also been watching DuPre's video very closely, and it's incredibly exciting/surprising to see a lot of the technical things she does (fingering and bow choices)
My goal is to copy and ingrain as much of it as I can (not for the sake of just copying her, but for the sake of truly understanding it and what made her performance so amazing & using that as a foundation & springboard for mine - it's sort of like using a certain performance edition, except that you can see what the editor actually meant/did ...
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